Bison drawing by Haley M.

Self-portrait by Paxton M.

Self-portrait by Rachael K.

17" x 24" drawing, using Sharpie marker, by Felicia T.

Two drawings by Ariel D.

Pendant by Storm B. This is incredible sawing and piercing. The piece is only about 1 1/2 inches in diameter.

An impressive bracelet by Kent B. Simple in theory and execution, intricate in appearance, it was made by twisting different types of wire in different directions.

Brass and copper with rivets buckle by Storm B.

Copper dragon ring with rivets by Emma H.

Deer antler, brass and copper ladle by Cody W.

White sapphires, channel set in sterling silver, by Kent B. Very challenging.

Lampworking is a popular aspect of Crafts classes. The blue beads shown here were made by Fanny.

These are about 4 feet by 3 feet. Two students are looking into the same large mirror. They are drawing with charcoal on brown wrapping paper. Alec and Sadie are both graduating and going to college next year to study Art. We wish them both all the best.

Another finished mask. Nice job Isabel!

Another stunning piece by Katie. This is made of silver with a blue sapphire set in a bezel. 

A long process well worth the effort. Multiples may be made very easily. Great job Emma!

Here, the rubber mask is shown on the clay positive, where it was made.

Kaitlyn finished her mask!  

This mask has copper trim and a wonderful, smooth, finish.

Here is some more progress on the positive clay face. The rubber mask is being applied in layers creating a perfect fit for the makers' face.

Continuing an earlier project/post.....the clay positives have been fired with a clear glaze.

Black and white photography by Mia C.

Wolf inspired mask by Ariel D.

Oil Painting by Rachael K.

Kim O. finished her African inspired mask. Well done!

Observation drawing by Sadie. 18 X 24 with charcoal on newsprint.

Here is the continued progress of a process featured earlier in this blog. The plaster negative, on the left, has been used to make a positive of the student's face. To be continued......

Sterling silver ring by Zack. What is really neat about this ring is the fact that the two top bands rotate freely around the central band.

Our darkroom is a busy place. Here is an example of an 8x10 print.

Silver, Gold and Sapphire Hollow Ring with a bezel setting. A very challenging and tedious process is well executed here by Katie.

Lampworking has quickly become a popular aspect of Crafts classes. 

This piece was made with lead free pewter in our 3-D Arts course. It is about 6 inches tall overall and was accomplished through the lost wax process. It's a very exciting aspect of our curriculum.

An example of student work from our Painting class.

Exterior view of our Fine Arts wing..

This mask, featured earlier, is almost finished. 

A good example of a finished mask using the gauze technique.

We'll keep coming back to the progress of this project.

Off comes the plaster casting!

Speechless.

The entire face is covered making sure the straws are in proper position the entire time. A pen and paper is a good idea for the one on the table. 

The "comments" are enabled finally. Sorry about the delay!

This shot shows the perfect consistency of plaster for making the face mold. The helpful hands on the side of her face will aide in keeping the plaster from running and provides a nice thick edge for the mold.

This is another way to make masks. It's a terrific way to get an exact copy of the face. Her face is covered with petroleum jelly, especially the eyelids and brows. 

The masks are painted after the final coat of mud is dry. The green mask in this photo has eyes made out of Fimo. The eyes were secured with plastercraft and mud. 

Sheetrock mud is then applied, often several layers, with sanding in between layers. The mud can be watered down and applied with a brush, although most students like the approach of smearing it on with their bare hands. The mud provides wonderful opportunities to give texture to all or parts of the mask.

We then use a combination of cardboard, heavy paper, aluminum foil(my favorite) and tape to sculpt any shape we want. A fresh coat of plastercraft completes the basic shape.

When the mask comes off, it can be trimmed and adjusted with more wet Platercraft (gauze.)

When it dries, overnight, it becomes very strong and light.

We start maskmaking by casting our faces with Plast-R-Craft. We cover the eyebrows and sideburns with paper towel and cover the exposed skin with Lubriderm. (Any skin or face cream will work) The casting material needs to stay on the face for about twenty minutes after the last piece is applied. 

We have gallery space upstairs and downstairs. Both double as hallways. This is a shot of the downstairs gallery space. The wall on the left is in fact curved in both galleries. It gives just a little more room for social gatherings.